My new online photography course Photography Masterclass is meant for the person who just got a DSLR, is about to get one, or has had one for a while but never took the time to thoroughly master it to the professional level.
The course contains 26 videos (11 hours total), an equipment guide, and bonuses.
If you know nothing about photography but want to get up-to-date to the pro level as quickly as possible, this is for you.
Photography Masterclass is broken up into four modules:
- Mastering Your DSLR Camera (Mastering Exposure, Aperture, Shutter Speed, ISO, White Balance, Focus, Exposure Compensation, Shooting Modes, Flash Modes, Focusing Modes, etc.)
- Photography Equipment (DSLR Camera Bodies, Lenses, Lighting Equipment, Accessories)
- Composition and Light (Rule of Thirds, Leading Lines, Psychological Triggers, Lighting Set-Ups)
- Post-Production (Developing images in Adobe Lightroom and editing in Adobe Photoshop)
After watching the videos, you will feel confident taking pictures with your camera regardless of the situation you are in (whether it is low-light situation, a weird colored situation, etc.) and regardless of the subject matter (whether you are taking pictures of a something moving, still-life, landscapes, people, close-ups, etc.)
The course also has a 60-Day 100% Money Back Guarantee. If you aren't satisfied in the least bit for any reason, just email me and you will receive a full refund, no questions asked.
For more information, check it out here: http://www.PhotographyMasterclass.com/
- Two packages of holi powder from Amazon.com
- 2x 10lb packs of the cheapest flour. I purchased these at my local grocery store, but you could get them from Amazon.com as well.
- Plastic Ziploc bags
- Dust Pan
- 1 Einstein E640 Strobe with a beauty dish on it + 2 bare portable speed-lights (all of them were on light stands and hooked up to wireless triggers). You could get by with just 1 front-lit speed-light, but 3-4 lights is ideal.
- Broom (to clean up your mess)
- You can dump piles of the colored flour on the dustpan in different areas and then throw it at the model from behind.
- Avoid throwing the powder around the eyes.
- Try to keep the powder/dust away from your camera, as the powder is a very fine. Ideally you would be want to be using a 70-200m lens so you can be further away from the model, but I was using a 24-70mm lens.
- I used Manual Mode and dialed in 1/250" to cut the ambient light, F8 for maximum sharpness, and ISO ~100 for low noise. After that was dialed in on my camera, I adjusted the flash power up and down while taking test shots until it looked well exposed in the preview screen. After I got it looking normally exposed, I just started taking the actual shots, without having to worry about adjusting any exposure/flash settings.
- To help focus in the dark, try to take the images near a constant lighting source. Just shorten the shutterspeed to 1/250" to cut off the ambient light. This way, the only light that will show up in the image is the light from the flashes.
- Remember to shoot in RAW format and then you will be able to increase the Vibrance and Saturation in Adobe Lightroom or Adobe Photoshop.
Two more things you should remember:
- If you liked this video, check out my instructional 300 page / 9 Hour video course Trick Photography and Special Effects - it includes lots special effects tutorials you can use in a wide variety of situations, just like this one.
- The new photography course for people getting started in photography in general Photography Masterclass will be released very soon, and at a very special launch discount price - so be sure to sign up on the email list in the side-bar to be notified when it is released so you can grab it while the price is super low.
In this digital photography and Photoshop tutorial, you will learn how to capture a photo using grids and gels on flashes to get the proper lighting. We will then go into the Adobe Photoshop software program and create the glowing lines and smokey cloud in front of the luminous face.
Push the play button on the video player below to start watching the tutorial - I recommend watching it in Full Screen so you can see the text when I am in Adobe Photoshop.
If you can't see the video player below, you can watch it directly on YouTube (opens in new tab/window).
This is the newest image I've made with abstract glowing lines.
This was the first image I created that made use of geometric abstract glowing lines.
This image was made after the first one; my friend (the model) got the idea to make the original concept above more three-dimensional by taking the shot at an angle. We spent hours in Photoshop making the lines, perfecting the skin, removing harsh shadows, dodging and burning, and making the colors vivid. There is a before-and-after image here.
This one wasn't made with the pen tool to create lines, but instead the rectangular marquee tool was used to create two rectangles filled with white on two separate layers, then I deleted portions of the two rectangles and added a glow to match that of its environment (it was a really foggy morning). The original lighting source in the scene was deleted using layer masks.