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29Jan/1126

What’s In My Camera Bag? A Review of All My Photographic Camera Equipment

This video post will go over all of my photographic equipment, including DSLR cameras, lenses, flashes, light stands, tripods, audio and how to record high quality sound with a DSLR, and various camera accessories.

CAMERAS:

Nikon D300s: This was the best camera on the market for me, but I ultimately dislikeย  all cameras available on the market because of this reason.

Nikon D50: My first DSLR. Still use it for panoramas and infrared work with the infrared filter.

Canon HF M300 Camcorder (not discussed): I use this to record video now ๐Ÿ™‚ Main thing I really don't like about it is that it doesn't have a standard hotshoe mount on the top, and there isn't a full-on manual mode where you can adjust the shutter speed and aperture at the same time, and the shutterspeed is sorta limited in terms of length. Other than that it seems to be pretty good! 30fps/1080p beats the 24fps/720p on the Nikon D300s hehe

LENSES:


AF-S DX Nikkor ED 18-55mm 1:3.5-5.6G
: I use this about 90% of the time. I should probably get the one with Vibration Reduction, but whatever, this is fine for now.

Nikon AF Nikkor 50mm 1:1.8 D: Really good for low light photography, shallow depth of field, and macro photography when combined with the lens reverser adapter ring.

Nikon Lens Series E 50mm 1:1.8

Tokina SD 70-210mm 1:4-5.6: Never use it really, but might start using it again.

Tamron 18-200mm: Mainly use this for video.

Tokina 80-200: Not even mine, rarely used, but I bet it would look really cool when doing video work.

Lens Reverser Adapter Ring: This thing lets me turn any 52mm threaded lens into a macro lens by mounting the lens on backwards on the camera. The exact one I have that is on Amazon is like $50 but I got this used for about $10-$20.

FILTERS:

Hoya R72 Infrared Filter: My favorite filter hehe

Hoya ND400: Super dark filter to get around 30 seconds in pure daylight at F22, ISO100, etc. I can get even longer if I combine this filter with the R72 and the ND8 and Polarizer.

Canon Polarizer: Very good filter for removing glare and saturating colors with CORRECT color. Awesome filter.

Nikon ND 8x: Another darkening filter, just not as extreme.

Quantaray 6X-Cross: This is a star cross filter that slices the light up into a cross shape.

Quantaray Foggilizer Adds a really foggy look to your photos.

LIGHTS:

Sunpak auto 433 D Thyristor: Full-blast flash, doesn't seem to be adjustable to 1/2 power, 1/4th, 1/8th, power etc. Only full power apparently.

Sunpak auto 344 D Thyristor: I use this outside or quickly when on the go. Can be adjusted from full power to 1/16th power.

RF602 Wireless Flash Trigger: This is used to wirelessly trigger my 344 flash (or my Photogenic studio light). Works only at 1/160th of a second or slower.

Photogenic StudioMax III 160: Big studio light that plugs into the wall. I won this in a photo competition on a website called Photographer's Warehouse.

Photo Basics 402 uLite Video Lighting Kit: Got this from Amazon, the lights are bright and hot. Haven't used the green screen too much.

Large Umbrella

Reflector: Reflects lights and diffuses light~!

TRIPODS / LIGHT STAND KIT:

Manfrotto 055XPROB Tripod: Awesome tripod. Legs and extender pole can go all over the place.

Manfrotto 496RC2 BallHead: Ballhead seems to be really good, I am liking it more compared to the tilt-and-pan.

Monopod: Not mine, came from a cheap tripod, but pretty useful

Sunset PR-5500 Tripod: This was my main tripod but I brought it into the ocean with me one time and the sand got into the grooves and ruined it.

Velbon VS-3 Tripod: Same thing... got messed up from the sand and the legs can't slide in and out easily...

2 Broken small tripods: These were really crappy to begin with because they were originally made for telescopes lol

Fancier WT803 Light Stand+Umbrella+Clamp KIT: Kits comes with a light stand, a small umbrealla, and a clamp so you can attach the flash and umbella at the top of the stand. Great deal.

AUDIO:

Zoom H4n: Awesome high quality sound field recorder.

Adjustable Swivel Shoe Mount: I use this to attach to my Zoom H4n to my Nikon D300s .

LN2MIC-ZOOMH4N 3.5mm Audio Cord: I use this to sync the sound into the D300s so the sound and video are combined together

Azden SMX-10 Microphone: I may sometimes use this along with my Zoom H4n now.

ATR-3350 Lavalier microphone: I am using this for video work. Seems to work OKAY, only records sound in the left channel and is omnidirectional. Seems to make a slight buzzing noise but it was the cheapest one I could find that looked reasonably good.

RANDOM STUFF:

Gray card: Use the big gray patch on the back for white balance color correction

BP1500 Calumet Backpack: Love this bag, just got it.

UN Blow Brush: Old blower brush thing

Sima Lenspen: Love the non-brush side. Use air instead of the brush to brush little speckles off your lens.

ML-L3 Nikon Remote: Wireless remote for the Nikon D50, it can also be used to lock the shutter so you can record an exposure beyond 30 seconds in duration. This works with lower end Nikon DSLRs.

Remote Shutter Release Cord: For taking exposures longer than 30 seconds. This works with higher end Nikon DSLR cameras.

Roscolux: You can place these on your flash to change the color of the light.

SOFTWARE:

Photoshop CS5: This is pretty much the ultimate photography editing software. Don't need anything else.

Photomatix (Get 15% off with coupon code "photoex"): I use this when I do HDR stuff.

All the links above are my Amazon affiliate links, so if you click on one of them and make a purchase, I will get a small commission. This helps me continue create more high quality videos for you ๐Ÿ™‚ I literally spent 2 full entire days filming this video, editing it, and creating this massive list.

photographic camera equipment inside a Calument BP 1500 camera backpack

23Nov/0927

Long Exposure Effects for the Experimental Photographer

Light Painting

Drawing with light is extremely easy and fun. Simply wait until night time, put your camera on a tripod, and set your exposure for long periods of time (these are usually 5 seconds-5minutes), your aperture, and ISO. I usually use f4 at iso 200 or 400, but these settings need to be determined differently according to each situation. Then, DRAW! There are many different light toys that create different effects. Things that have been used before include sparklers, glow sticks, flashlights, maglights, fire/torches, RGB strips, Christmas lights, illuminated cell phones, iPods, laser pens, and of course, any kind of LED.

Laser pens

Scribble with laser pen. In this example the laser pen was stroked up and down the models face. 1 sec. / f 3.5 / ISO 200

City lights from a far away distance. The camera slightly moved while the focus ring moved along with it so the light gradually becomes out of focus. 1.3 sec. / f 6.3 / iso20

City lights from a far away distance. The camera slightly moved while the focus ring moved along with it so the light gradually becomes out of focus. 1.3 sec. / f 6.3 / iso20

30 second exposure of tiny LED finger ring lights. I was holding them the entire time, but because I was not illuminated, you cant see me in this picture.

30 second exposure of tiny LED finger ring lights. I was holding them the entire time, but because I was not illuminated, you can't see me in this picture.

7 second exposure / f22 / ISO 200. This is just a standard long exposure of a SPARKLER in motion.

7 second exposure / f22 / ISO 200. This is just a standard long exposure of a sparkler in motion.ย  Also keep in mind that if you use a flash, the person holding the sparkler will show up in the photograph. Regular sparks from fires can also make amazing shots, especially if you go in and out of focus during the exposure.

Sparklers traced around a car.

Keep in mind that you can trace objects with sparklers (or LEDs or any kind of lightsource). This was a car traced with a sparkler. 7 minutes long, ISO 100, F/18,

You can also use flashlights (or strobes/flashes) to illuminate your scene. Simply turn on your flashlight and start drawing/painting/spraying light onto the scene to illuminate it in the dark. If you have an extremely powerful flashlight, it is very well possible to illuminate entire landscapes in the dark as well!

You can also use any kind of flashlights (or strobes/flashes) to illuminate your scene. Simply turn on your flashlight and start drawing/painting/spraying light onto the scene to illuminate it in the dark. If you have an extremely powerful flashlight, it is very well possible to illuminate entire landscapes in the dark as well!

If you have a tripod on you, and your in an amusement park or some type of fair grounds, long exposures of rides look very good if taken in long exposure mode. Ferris wheels also work very well.

If you have a tripod on you, and you're in an amusement park or some type of fair grounds, long exposures of rides look pretty sweet. Ferris wheels also work very well.

You can also make silhouettes of people by taking a long exposure while you move some sort of light behind them. Blue glowsticks were used in this example.

You can also make silhouettes of people by taking a long exposure while you move some sort of light behind them. Blue glow sticks were used in this example.

This was a long exposure of Christmas tree lights. It was a one second exposure, the reason why the lines look so straight is because the camera was jerked in a fast motion.

This was a long exposure of Christmas tree lights. It was a one second exposure. The reason why the lines look so straight is because the camera was jerked in a fast motion.

These are called physiograms. Simply attach an LED to a string and let it hand from the ceiling, turn off all the lights, take a long exposure, and give the LED a little tap, and this will be the outcome!

These are called physiograms. Simply attach Maglight to a string and let it hang from the ceiling, turn off all the lights, take a long exposure, and give the LED a little tap. When the long exposure is complete, this is what it will look like.

Again, LEDs are just great. You can trace objects with them, just like you can with sparklers! (Although, of course, use sparklers outside!)

Again, LEDs are just great. You can trace objects with them, just like you can with sparklers. I used the finger LEDs in this example

You can also make flash stencils! Put cardboard infront of your flash like this http://www.flickr.com/photos/duaneschoon/2999296569/

You can also make flash stencils! Just put cardboard in front of your flash with a design cut out in it, and you're ready to go.

If you are interested in incorporating long exposure effects and light painting into your night photography, I would highly recommend "Night Photography & Light Painting" by Brent Pearson, especially if you are light painting landscapes.

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Long Exposures During Day

You can also create long exposures of landscapes during they DAY by using an extremely dark filter that attaches to the front of your lens. The filter you can use is a B+W filter, an ND400 filter (I'd recommend this one), or even an Infrared filter. Taking long exposures during the day is useful for creating foggy/ghostly seascapes, blurring clouds, blurring water and waterfalls, and even removing people from a scene (if they are constantly moving).

Long exposures are exelent for moving ocean waters splashing against rocks. The longer exposure = the more misty the scene looks.

Long exposures are excellent for moving ocean waters splashing against rocks. The longer exposure = the more misty the water will looks A lot of people use an ND400 Filter for long exposures during the day. It allows 30 second+ exposure times.

Long exposure, during the day. Silver Falls, Oregon. Taken with an IR filter.

Long exposures of waterfalls create that smooth/soothing effect. Silver Falls, Oregon. This looks blue and white because it was taken with an Infrared Filter attached to my camera lens.

Manual blend of 2 exposures. 20 seconds for the water and 5 seconds for the sky. The long exposure is made possible by the use of a ND400 filter.

Manual blend of 2 exposures. 20 seconds for the water and 5 seconds for the sky. The long exposure is made possible by the use of a ND400 filter.

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Star Trails

These are a great challenge, and the best part is, you don't know what the photograph will look like until after you've taken it. You will need to have your camera on a tripod, manually focus to infinite, use the widest aperture you can and a low ISO. If you want to take 20+ minute long exposure, you will need to buy a cable release made for your specific DSLR. However, taking super long exposures can cause a lot of noise in images. An alternative wave to doing star trails is to take a bunch of 30 second exposures and then overlap all the images on your computer using a program called Startrails. There is a minor drawback to this method: for every 30 seconds of an exposed photo, there is a 1-2 second time period where the camera isn't taking an exposure. This makes it so there are little tiny spots not visible in your star trail. It is a very minor drawback, but ultimately it is a better method because there isn't as much noise.

20 minute exposure at F 3.5. ISO 200 or 400.

20 minute exposure at F 3.5. ISO 200 or 400.

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Other Fun Long Exposures

Watch long exposure ND filter

A creative use for the ND filter would be to take a picture of a watch or clock. In this 4 minute long exposure you can see each second hand as it moves around the clock.


 

These eyes were constantly moving while the camera took a 1.5 second exposure. No photoshop

 

This was a one second exposure. Half of the exposure the eye was open, then after .5 seconds, the eye was shut. What you see is the eye both open and closed at the same time.

This was a one second exposure. Half of the exposure the eye was open, then after .5 seconds, the eye was shut. What you see is the eye both open and closed at the same time ๐Ÿ˜‰

This is a long exposure at night time of snow falling. The snow was illuminated with a light, and a tree is in the background. 3 seconds.

This is a long exposure at night time of snow falling! The snow was illuminated with a light, and a tree is in the background. 3 seconds.

This is an example of Solargraphy. Solargraphy is the process of taking long exposures with pinhole cameras that last several MONTHS to record the light of the sun. This example was a 6 month exposure taken by Diego Lopez Calvin (Solarigrafia in Flickr).

This is an example of Solarigraphy. Solarigraphy is the process of taking long exposures with pinhole cameras that last several MONTHS to record the light of the sun. This is a 6 month exposure taken by solarigrafia on Flickr. You can learn more about where this form of photography originated from here. Photo by Diego Lopez Calvin (Solarigrafia in Flickr).ย 

There are also other things you can do with long exposure photography. Long exposures during the day allow water and clouds to blur, leafs on a tree will also blur (if there is wind). In addition, you can also take a long exposure in a very crowded city where lots of people are walking, and completely make the crowd invisible by taking a long exposure during that day.

You can also use a long exposure and then fire multiple flashes to light your subject in different ways, and/or to multiply them in number. You can also spin your camera to take perfect straight blurred out lines, or you can zoom in and out with your lens while the exposure is taking place.

Long exposures also come in handy during lightning, simply take a long exposure and wait for the lightning to show up.

The challenge: create a long exposure that has all of the above. Light painting, light spraying, star trails, and lightning; all in one photograph. (Okay, I realize it would be hard to get lightning, but try to include them all if you can ๐Ÿ˜‰

long exposure trick photographyBecause long exposure photography is such a large topic, there is only so much I can write in a blog post. If you want to know more information on lights, techniques and effects, check out my Trick Photography and Special Effects eBook. It has over 60 pages of content solely dedicated to light painting techniques and long exposure effects.

8Sep/090

How to Take Long Exposures for Night and Day

That is the moon, not the sun! Make: NIKON CORPORATION Model: NIKON D50 Shutter Speed: 300/10 second Aperture: F/3.5 Focal Length: 18 mm Date Taken: Sep 7, 2009, 12:32:58 AM

That is the moon, not the sun! Make: NIKON CORPORATION Model: NIKON D50 Shutter Speed: 300/10 second Aperture: F/3.5 Focal Length: 18 mm Date Taken: Sep 7, 2009, 12:32:58 AM

Taking Long Exposures At Night:

Taking photographs at night doesn't mean they have to look like they WERE taken at night. The moon is exactly like the sun in terms of lighting, only a lot dimmer. Which means you can take a picture at night when the moon is out, and if you use the right settings, the moon will look just like the sun. I had my camera over exposed 2 stops for this picture. The shadows (and their angles) seem to be more intense at night than day.

Why you would want to take a long exposure when using the moon:

  • To get lighting at a different angle than the sun regularly provides
  • The decrease your depth of field, so you can use smaller apertures, like f/1.4
  • to take longer exposures, so you can see cloud motion blur

If you want to take a long exposure at night time, have your ISO set to the lowest setting (like ISO 200), and then put your camera on Shutter Speed mode. On my camera, the camera can go up to a maximum of 30 seconds, so I used that. If you need even longer exposures, keep taking 30 second exposures one after the other, and then blend them together in photoshop using the Lighten blend mode. Or, if you wanted to go more extreme, put an ND filter on your lens, and take a 1 hour exposure ๐Ÿ˜‰

If you simply want to take short exposures at night time, use a higher ISO, like 1600, and the time will be much shorter to take the picture. You will still need a tripod, and the exposure time will still be longer than if you were to take the picture during the day.

Taking Long Exposures During Day:

In order to take long exposures during the daytime, you need to have very dark filters for your lens. The two filters that I recommend using are the ND400 and the Hoya R72. The ND400 is a filter that basically blocks A LOT of light, enabling the photographer to take long exposures (30 seconds+) in daylight. The Hoya R72 is an infrared filter that also blocks a lot of light. The r72 will not give your picture original colors though, since it is in infrared. Here are some examples of what infrared pictures look like:

As you can see, they are quiet different than normal colored photographs. Not all cameras sensors are compatible with infrared filters though, so google your camera name and model along with the term "with IR" beside it. The older Nikon cameras, like D50 and D70 are compatible with the IR filters.

If you want to take regular SHORT exposures with infrared, you can get your camera modified by LifePixel. Your camera will permanently take infrared pictures at regular shutter speeds.

   
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